Resources

EUROPEAN OPERA TRADITIONS
CHINESE OPERA TRADITIONS
INTER / TRANS CULTURAL PERFORMANCE
CULTURAL EDUCATION, MANAGEMENT AND POLICY

EUROPEAN OPERA TRADITIONS

Abbate, C.(1991) Unsung Voices: Opera and Musical Narrative in the 19th Century, Princeton, NJ: Princeton University Press

Anselm, Gerhard, (1998) The Urbanization of Opera: Music Theater in Paris in the Nineteenth Century (Chicago: University of Chicago Press

Bankes-Jones B   Time  to Sing a New Tune   The Guardian  25th July 2008

Bokina, John, (1997) Opera and Politics: From Monteverdi to Henze New Haven, CT: Yale University Press

Citron, Marcia J.,(2000) Opera on Screen New Haven, CT: Yale University Press

Clément, C. (1989) Opera, or The Undoing of Women, London: Virago

Donington, R. (1990) Opera and Its Symbols, Yale University PressGroos

Kerman, J.  rev edn 1989 (1st pub 1956)Opera as Drama, London: Faber 

Levin, D (ed) (1994)  Opera Through Other Eyes  Stanford University Press

Pidd, H   Sun Readers’ Exclusive : a Night at the Opera    The Guardian 23rd July 2008

Sadie, S. (ed) New Grove Dictionary of Opera, London: Macmillan, 1993. See also New Grove II.

Traubner, R. 1990 (1st pub 1983)Operetta: A Theatrical History, Oxford: Oxford University Press,

White, E. W. (1983)  A History of English Opera, London: Faber

Directors:

Brook, Peter (1987) The Shifting Point – London: Methuen

Delgado, Heritage (1996)  In Contact with the Gods?  Manchester: Manchester University Press

 Eyre, Richard (1998)  1997/8 Arts Council report on Opera and ballet – the lyric theatre  London: Arts Council of England

Fay, Stephen (1995)   Power Play. The life and times of Peter Hall – London: Hodder and Stoughton.

Opera and singers:

Atkinson, Paul(2006)  Everyday Arias, An Operatic Ethnography  Lanham : Altamira Press

 Barker, Paul(2004)  Composing for Voice – London: Routledge

Evans, David T(1999)   Phantasmagoria, a Sociology of Opera  London: Ashgate

 Opera Houses:

Allen, Mary (1998)  A House Divided London: Simon and Schuster

Fawkes, Richard (1986) Welsh National Opera – Cardiff:  MacRae

 Gilbert, Susie (2005) Opera for Everybody London: Faber and Faber

Gilbert, Susie and Shir,(2003)  Jay A Tale of Four Houses London: Harper Collins

LeBrecht, Norman(2000)   Covent Garden, The Untold Story  London: Simon and Schuster

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CHINESE OPERA TRADITIONS

Bonds, Alexandra B.   (2008) Beijing Opera Costumes: The Visual Communication of Character and Culture Honolulu: University of Hawaii Press

Chiu, Y & Kwong A   Behind the Colored Mask: an Introduction to the Traditions of Cantonese Opera  Opera Canada 36:1:142 (Spring 1995) p.12-13

Evans, M   The Emerging Role of the Director in Chinese Xiqu  Asian Theatre Journal vol 24 no 2 (Fall 2007)

Goldman, Andrea    Drama Kings: Players and Publics in the Re-creation of Peking Opera 1870-1937 (review)   The Opera Quarterly Vol 26 no 23 2010 

Li, Ruru (2005) “False but True, Empty but Full, Few but Many” – the Dialectic Concepts in Traditional Chinese Performance Art and Painting  Theatre Theatre Research International 1999

Rauch, Rudolph S Letter from hitOpera News 69:8 (February 2005)

Skidelsky, E   There’s More to Chinese Opera than the Stereotype The New Statesman no 4884 2008

Sun, William  Paradox of Acting in Traditional Chinese Theatre: Performance Versus Literature New Theatre Quarterly Vol 1 1999 pp17-25

Tian, Min    Meyerhold Meets Mei Lanfang: Staging the Grotesque and the Beautiful  Comparative Drama 33:2 (Summer 1999)

Wei, Bingbing    Drama Kings: Players and Publics in the Re-creation of Peking Opera 1870-1937 (review)   China Review International Volume 14, Number 2, Fall 2007 

Xiaomei Chen A Stage in Search of a Tradition The Dynamics of Form and Content in Post Maoist Theatre   Asian Theatre Journal Vol 18 no2 2001

Young, Samson      The Voicing of the Voiceless in Tan Dun’s The Map: Horizon of Expectation and the Rhetoric of National Style  Asian Music Volume 40, Number 1, Winter/Spring 2009

Young, Samson   Reconsidering Cultural Politics in the Analysis of Contemporary Chinese Music: The Case of Ghost Opera.   Contemporary Music Review 26(5/6)  2007  605–18 at

Zhang Huoding   Yyuanyang Zhong (Mandarin Duck Tomb) at the  Theatre Workshop, National Peking Opera Theatre of China, Chang’an Grand Theatre, Beijing, 24 November 2006. Asian Theatre Journal, vol. 25, no. 2 (Fall 2008).

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INTER / TRANS CULTURAL  PERFORMANCE

Barba , E   Cultural Identity and Professional Identity in Hastrup, K et al (ed) The Performers’ Village: Time, Techniques and Theories at ISTA

Barba, E  (2006) 2nd edition  A Dictionary of Theatre Anthropology  London: Routledge

Brook,  Peter  (2005)   The Open Door, London: Anchor

Fei, Faye Chunfang & Sun, William Huizhu  Othello and Beijing Opera: Two Cases of Appropriation in Different Directions Theatre Drama Review   Vol. 50 no. 1  2006

Huang Zuolin et al Tradition, Innovation, and Politics: Chinese and Overseas Chinese Theatre across the World           Theatre Drama Review (1988-), Vol. 38, No. 2. (Summer, 1994), pp. 15-71.

Kattwinkel, Susan.   Review of  Monkey: Journey to the West, and: Between the Devil and the Deep Blue Sea, and: Homeland, and: The Great War (review)  Theatre Journal Volume 61, Number 1, March 2009 

Knowles, R (2010)   Theatre and Interculturalism  Basingstoke: Palgrave-Macmillan

Law, Wing-Wah, Ho Wai-Chung  Globalisation, Values Education and School Music Education in China  Journal of Curriculum Studies.  v. 41. no. 4.   p. 501

Lei, Daphne P.  (2006)  Operatic China: Staging Chinese Identity across the Pacific. New York: Palgrave

Metzger, S Ice Queens, Rice Queens and Intercultural Investments in Zhang Yimou’s Turandot  Asian Theatre Journal Vol 20 no 2 2009

Nascimento, C (2009) Crossing Cultural Borders Through the Actor’s Work : Foreign Bodies of Knowledge  London:Routledge

Parvis, Patrice (ed)   (1996) The Intercultural Performance Reader  London: Routledge

Pitches, J and Li, Ruru (2010): Negotiations in the Uncomfortable Zone: Identity, Tradition and the Space between European and Chinese Opera   Walling (ed) The Orientations Trilogy  London: Border Crossings

Sun Huizhu (William)  Performing Arts and Cultural Identity the Era of Interculturalism   in  Theatre Drama Review,  Volume 53 no. 2 2006.

Pitches, (2003)  Vsevolod Meyerhold  London:Routledge

Sun, William Huizhu &  Fei, Faye Chunfang Social Performance Studies: Between the Real and the Virtual  Riley, Shannon & Hunter, Lynette  (2009) Mapping Landscapes for Performance as Research  Scholarly Acts and Creative Cartographies London: Palgrave

Wenwei Du   The Chalk Circle Comes Full Circle: From Yuan Drama Through the Western Stage to Peking Opera Asian Theatre Journal, Vol. 12, No. 2 (Autumn, 1995), pp. 307-325

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CULTURAL EDUCATION, MANAGEMENT AND POLICY

Bennet, Tony (2001)  Diversities; Cultural Policy and Cultural Diversity  Council of Europe

Boyle, Stephen  Impact of Changes in Organisational Structure on Selected Key Performance Indicators for Cultural Organisations    International Journal of Cultural Policy.  v. 13. no. 3.   2007. p. 319

Bunting et al (2008)  From Indifference to Enthusiasm: Patterns of Arts Attendance in England     London: Arts Council of England :       www.artscouncil.org.uk

Chong, Derrick (2002). Arts Management. London: Routledge.

Cultural statistics, Eurostat Pocketbooks, European Commision 2007 edition.

http://epp.eurostat.ec.europa.eu/cache/ITY_OFFPUB/KS-77-07-296/EN/KS-77-07-296-EN.PDF

Fleming, M     (2008)  Arts in Education and Creativity:  A Review of the Literature  A Report for Creative Partnerships      London: Creative Partnerships     www.creative-partnerships.com/literaturereviews

Ford E, Patrick L  (2010)  DARE   A Collaborative Partnership between Opera North and the University of Leeds   A Mission Models Money case study     London: Mission Models Money

www.missionmodelsmoney.org.uk

Higher Education Funding Council for England  (1998) Review of Music Conservatoires London: HEFCE

Holden, J  (2008)   Democratic Culture    London : Demos

Kolb, Bonita M.. The effects of Generational Change on Classical Music Concert Attendance and Orchestra’s Responses in the UK and US. Cultural Trends vol. 11, issue 41, 2001 pp. 1-35.

Kolb, Bonita M. 2005. Marketing for Cultural Organisations. New strategies for attracting audiences to Classical Music, Dance, Museums, Theatre and Opera. Ireland: Thomson Learninig.

McCarthy, Kevin, Brooks, Arthur, Lowell, Julia ja Zakaras, Laura (2001). The Performing Arts in a New Era. Washington DC: Rand Corporation

National Endowment for the Arts (NEA) (2009). 2008 Survey of Public Participation in the Arts. Research Report # 49. Washington DC: National Endowment for the Arts.

Nesta      (2008)  Developing Entrepreneurial Graduates    London:  Nesta

Odam,G &  Bannan  N (2005)  The Reflective Conservatoire, Studies in Music Education – London Ashgate

Parker, John 2008. The age of mass intelligence. Intelligent Life, winter 2008. http://www.moreintelligentlife.com/story/age-mass-intelligence.

Scollen, Rebecca 2008b. Regional voices talk theatre: audience development for the performing arts. International Journal of Nonprofit and Voluntary Sector Marketing, vol 13 (1), s. 45-56.

Younge, (2010)      Who We Are (and should it matter in the 21st Century?) London : Penguin Ltd

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Opera Quarterly Volume 26 numbers 2-3 Spring/summer 2010 : special edition : Chinese Opera & Film

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